![]() ![]() ![]() These are all sensationally good for adding the kind of dirt, grit and outright noise that Live has, until recently, been sorely lacking in. For this tutorial, you can use any version but we’d be remiss not to point out that Live 10 boasts some brilliant new effects, including Pedal (guitar-style distortion), Echo (tape echo), and Drum Buss, which might well become your go-to drum tool. There have been audio effects in every version of Live, including the inaugural edition released in 2001, which didn’t even have instruments. Nobody wants to get caught short with stuttering effects in front of a baying crowd. When it comes to live performances especially, it’s much safer sticking with your DAW’s effects devices than it is straying beyond them. Why not see what they can do?Īnother enormous benefit of using built-in effects is exactly that – they’re built-in, they’re part of your DAW, tried, tested and approved, likely to be unmarred by latency issues, more stable and less demanding on resources than third-party alternatives. But it’s worth embracing any DAW’s own effects and pushing them to and beyond their limits. Sure, eventually you’re bound to reach for some third-party plug-ins to flesh out your library – no DAW does it all. Audio effects are a key part of Ableton Live, no matter what you’re doing with it, and Live 10 especially boasts some fantastic in-built effects.
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